Hear the bid before you book it.
Post your session. Engineers bid with playable work, not just a price. Your money sits in escrow until you approve the master.
No fee to post. You pay only when you award.
“Snare is sitting behind the guitars — could it come up a dB?”
Leave notes at the exact second. The engineer hears what you heard.
Three steps, no agency in the middle.
Most audio work is still brokered over email threads and invoices that arrive late. This replaces the thread with a record: one brief, one comparison, one release.
- 01
Post the session
Brief, budget, deadline and reference tracks. Takes about four minutes and costs nothing. Contact details are stripped automatically.
- 02
Compare on sound, not CVs
Every proposal carries playable work. Line them up with price, turnaround, rating and how far each sits from your budget.
- 03
Mark up the waveform
Drop notes at the exact second instead of describing a timestamp in prose. Approve when it's right; escrow releases after the review window.
Nobody chases an invoice.
The commercial terms are the same for everyone and they are on the screen before you commit — not discovered in a statement afterwards.
- Funded before work startsThe client's money moves on award, so the engineer knows the job is real before opening a session.
- Contact details stay off the briefEmails, numbers and links are stripped until the job is awarded, so nobody gets poached mid-tender.
- One rate, published10% from the engineer, 3% from the client. Shown on the award screen with the exact figure that leaves your account.